Edinburgh Festival Theatre
ballet companies in the world can seem increasingly interchangeable in the repertoire and style, but the National Ballet of China Peony Pavilion stands out as an original, captivating. Although the choreography is based on Western dance Fei Bo and Guo Wenjing contributions eclectic score big pieces of Debussy and Ravel, the ballet still able to come from nowhere, but Beijing.
His story is based on the Chinese equivalent of Romeo and Juliet: the history of 16th century passion pitted against all odds. In contrast in the red blood of the story of Shakespeare, however, Peony Pavilion is told through a rarefied language of colors, symbols and visions. Ballet heroin, Liniang, falls only in a dream, and the effect this has on his tumultuous life is expressed through a sequence of charming vignettes, but highly ritualized. The anguish of desire you feel when you wake up is subcontracted by the presence of his two alter egos: the scarlet flower, and the goddess cold, Kunqu opera singer Liniang slip, whose words call to reason . Waves of anxiety Liniang still, well, Foucault through all that follows a chorus of young girls dressed in white, whose delicate tendrils of the dance seems shaken by gusts of desire. Images of the most beautiful scene Liniang continue as dies for love and turned through the snowflakes that fall into a dark underworld.
Rating: 4/5
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